故乡，游子泪水中最脆弱的神经——读蒋明诗集《带着诗歌流浪》

李长空

<p class="MsoNormal" align="center" style="MARGIN: 0cm 27pt 0pt 0cm; LINE-HEIGHT: 22pt; TEXT-ALIGN: center; mso-para-margin-right: 2.25gd; mso-line-height-rule: exactly; tab-stops: 432.0pt;"><b style="mso-bidi-font-weight: normal;"><span style="FONT-SIZE: 22pt; COLOR: navy; FONT-FAMILY: 楷体_GB2312; mso-hansi-font-family: DFKai-SB; mso-fareast-language: ZH-CN;">故乡，游子泪水中最脆弱的神经<span lang="EN-US"><p></p></span></span></b></p><p class="MsoNormal" align="center" style="MARGIN: 0cm 27pt 0pt 0cm; LINE-HEIGHT: 22pt; TEXT-ALIGN: center; mso-para-margin-right: 2.25gd; mso-line-height-rule: exactly; tab-stops: 432.0pt;"><span style="FONT-SIZE: 18pt; COLOR: navy; FONT-FAMILY: 仿宋_GB2312; mso-hansi-font-family: DFKai-SB; mso-fareast-language: ZH-CN;">——读蒋明诗集《带着诗歌流浪》<span lang="EN-US"><p></p></span></span></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 21pt; mso-char-indent-count: 2.0;"><span lang="EN-US" style="FONT-SIZE: 10.5pt; FONT-FAMILY: 宋体; mso-fareast-language: ZH-CN;"><p>&nbsp;</p></span></p><p class="MsoBodyText" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 21pt; LINE-HEIGHT: 12pt; mso-char-indent-count: 2.0;"><span style="FONT-SIZE: 10.5pt; COLOR: navy; FONT-FAMILY: 宋体;">有位哲人说过：“生在哪儿，一半儿就埋在那儿了”。漂泊在外的游子啊，对故乡的情愫是刻在灵魂中的。梦里故园、乡关深处、亲情关爱、土语方言……撩动着多少游子的心，交织出浓得化不开的乡土深情！读乡兄蒋明的诗集《带着诗歌流浪》，我这颗被岁月磨得坚硬如铁的心又一次忍不住涔涔泪下！<span lang="EN-US"><p></p></span></span></p><p class="MsoBodyText" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 21pt; LINE-HEIGHT: 12pt; mso-char-indent-count: 2.0;"><span style="FONT-SIZE: 10.5pt; COLOR: navy; FONT-FAMILY: 宋体;">蒋明兄家和我家毗邻，他诗歌中关于故乡的种种意象也曾经在我的梦中无数次出现，每一次都撩动我心灵中那根最脆弱的神经。这份剪不断的情素，缘于我们对同一方乡土的挚爱。作为农民的后代，蒋明兄像祖辈们精心侍弄自家的庄稼一样，满怀深情地侍弄着自己的诗歌。他的诗扎根在乡土中，朴实、茁壮；他的笔含着浓浓的土腥味，直灌进读者的心脾。<span lang="EN-US"><p></p></span></span></p><p class="MsoBodyText" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 21pt; LINE-HEIGHT: 12pt; mso-char-indent-count: 2.0;"><span style="FONT-SIZE: 10.5pt; COLOR: navy; FONT-FAMILY: 宋体;">这里，有对乡土风情的描绘。如《故乡的春天》：“一夜春风<span lang="EN-US">/</span>桃花、李花、杏花来不及梳妆<span lang="EN-US">/</span>赶乘一波又一波清脆的鸟鸣而来<span lang="EN-US">/</span>坡上的麦子绿了<span lang="EN-US">/</span>地里的油菜花黄了<span lang="EN-US">/</span>削瘦的父亲脱下了厚重的棉衣<span lang="EN-US">/</span>带上忠实无语的老牛<span lang="EN-US">/</span>一犁锈蚀未净的铁铧<span lang="EN-US">/</span>切开烟雨朦朦的三月<span lang="EN-US">/</span>清癯的背影为春天<span lang="EN-US">/</span>描下神韵的一笔”；如《李枣的早晨》：“比梦醒得更早的是露珠。薄薄的雾气<span lang="EN-US">/</span>最先叫起炊烟<span lang="EN-US">//</span>枝头半开的花朵睡眼惺松。<span lang="EN-US">/</span>一辆笨重的柴油车<span lang="EN-US">/</span>“突突突”钝刀般划过冻土的肚皮<span lang="EN-US">//</span>一个人扛把镢头站在田埂。骨骼还隐隐作痛”；如《黄昏》：“村庄逐渐渐消隐。蟋蟀深藏的秘密<span lang="EN-US">/</span>被牧童用一枚草笛说出<span lang="EN-US">/</span>一滴露珠映出了内心清澈的梦想”；如《乡下的稻》：“栖居乡村的兄弟一辈子没能走出过<span lang="EN-US">/</span>那一亩三分田<span lang="EN-US">/</span>年轻时曾有过远游的念头<span lang="EN-US">/</span>也只是从旧居搬进新居……这群生性质朴的兄弟<span lang="EN-US"><span style="mso-spacerun: yes;">&nbsp; </span></span>没进过一天学堂<span lang="EN-US">/</span>却都明白谦逊的美德<span lang="EN-US">/</span>腹中愈是饱满<span lang="EN-US"><span style="mso-spacerun: yes;">&nbsp; </span></span>头埋得愈低”…… <span lang="EN-US"><p></p></span></span></p><p class="MsoBodyText" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 21pt; LINE-HEIGHT: 12pt; mso-char-indent-count: 2.0;"><span style="FONT-SIZE: 10.5pt; COLOR: navy; FONT-FAMILY: 宋体;">这里，有对乡亲生存状况的关注。如《老街》：“已经很老了岁月的风<span lang="EN-US">/</span>把沧桑刻在了每个人的脸上<span lang="EN-US">/</span>菜市场还蜷缩在低矮的东街口<span lang="EN-US">/</span>那些不断生长的楼房<span lang="EN-US"><span style="mso-spacerun: yes;">&nbsp; </span></span>把它们越挤越小<span lang="EN-US">/</span>一个蹬三轮车的汉子<span lang="EN-US"><span style="mso-spacerun: yes;">&nbsp; </span></span>和卖花生瓜子的小贩<span lang="EN-US">/</span>在为五毛钱喋喋不休地争论<span lang="EN-US">/</span>年久失修的石拱桥又掉下了一大片斑驳的痂块<span lang="EN-US">/</span>新鲜的伤口触目惊心<span lang="EN-US">/</span>而躲在老街背后的小学校<span lang="EN-US"><span style="mso-spacerun: yes;">&nbsp; </span></span>那个驼背的老校工<span lang="EN-US">/</span>用咳嗽敲响了黄桷树上的半截铁铧<span lang="EN-US">/</span>三三两两放学的孩子<span lang="EN-US"><span style="mso-spacerun: yes;">&nbsp; </span></span>穿过一地嘈杂<span lang="EN-US">/</span>清风一样四散归去”；如《故乡》：“镰刀四散逃亡。年轻的爱情成双成对<span lang="EN-US">/</span>把幸福搬上月亮马车<span lang="EN-US">/</span>把婴儿的脐带再次割断<span lang="EN-US">/</span>打马他乡……它们是多么地不安于现状”……<span lang="EN-US"><p></p></span></span></p><p class="MsoBodyText" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 21pt; LINE-HEIGHT: 12pt; mso-char-indent-count: 2.0;"><span style="FONT-SIZE: 10.5pt; COLOR: navy; FONT-FAMILY: 宋体;">这里，有对乡亲命运的深切牵挂。如《<span lang="EN-US">2006</span>，叫渴的李枣村》：“今年的水费又涨了<span lang="EN-US">/</span>田里的稻子只能灌足一次水了<span lang="EN-US">/</span>八十岁的阿婆在电话里絮叼<span lang="EN-US">/</span>昏花的老眼看不见我此时的模样<span lang="EN-US">/</span>钢子如今在上海，二叔去了福建，有三个月<span lang="EN-US">/</span>没见过一滴雨了。排队引水的操劳让憨厚的弟弟<span lang="EN-US">/</span>日渐消瘦”；如《暮归》：“父亲总是不停地弯下腰<span lang="EN-US">/</span>用咳嗽同谦逊的禾苗招呼……秋风吹起<span lang="EN-US">/</span>父亲日愈佝偻的背影<span lang="EN-US">/</span>开始有些飘摇不定<span lang="EN-US">/</span>一片枯叶被风从枝头吹落”……<span lang="EN-US"><p></p></span></span></p><p class="MsoBodyText" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 21pt; LINE-HEIGHT: 12pt; mso-char-indent-count: 2.0;"><span style="FONT-SIZE: 10.5pt; COLOR: navy; FONT-FAMILY: 宋体;">这里，有对亲情关爱的感恩。如《乡情》：“出远门的时候<span lang="EN-US">/</span>母亲的天空<span lang="EN-US">/</span>总是下着毛毛细细雨<span lang="EN-US">//</span>母亲<span lang="EN-US">/</span>常把串串熟透的叮嘱<span lang="EN-US">/</span>装进我们远行的包裹<span lang="EN-US">/</span>却又把墙角那儿时的风筝<span lang="EN-US">/</span>长长的长长的丝线<span lang="EN-US">/</span>紧紧地绾在手心”；如《大衣》：“大衣是父亲唯一的<span lang="EN-US">/</span>关怀方式<span lang="EN-US">/</span>父亲在薄霜初降的乡下<span lang="EN-US">/</span>惦念孩子<span lang="EN-US">/</span>频频托人捎话给我<span lang="EN-US">/</span>天冷了，要记住多穿衣服……父亲老了<span lang="EN-US">/</span>父亲在一个冬天的早晨<span lang="EN-US">/</span>把大衣披在了我身上<span lang="EN-US">/</span>父亲神情慈祥而庄重<span lang="EN-US">/</span>老眼里满是泪花”；如《回龙镇》：“衰老的母亲站在高高的土坡<span lang="EN-US">/</span>风中飞舞的围裙遮不住苍老的心<span lang="EN-US">/</span>忧伤的目光越过半边街低矮的屋脊<span lang="EN-US">/</span>越过凯江河畔飘飞的芦絮<span lang="EN-US">/</span>两行浊泪，让滚滚的江水迟迟不肯东去<span lang="EN-US">/</span>古河道从此百折千回。寂蓼的夜空漂荡<span lang="EN-US">/</span>母亲唤儿乳名的声音”……<span lang="EN-US"><p></p></span></span></p><p class="MsoBodyText" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 21pt; LINE-HEIGHT: 12pt; mso-char-indent-count: 2.0;"><span style="FONT-SIZE: 10.5pt; COLOR: navy; FONT-FAMILY: 宋体;">这里，有对故乡的不渝深情。如《乡愁》：“乡愁是一窖老酒<span lang="EN-US">/</span>存放越久<span lang="EN-US">/</span>越浓烈<span lang="EN-US">//</span>乡愁是清晨的雾<span lang="EN-US">/</span>濡湿的总是<span lang="EN-US">/</span>漂泊的梦<span lang="EN-US">//</span>乡愁是长长的丝<span lang="EN-US">/</span>丝丝缕缕扯痛的<span lang="EN-US">/</span>都是游子的心<span lang="EN-US">//</span>乡愁是一剂毒药<span lang="EN-US">/</span>我们却依旧执著不悔地<span lang="EN-US">/</span>饮鸠止渴”；如《在他乡》：“仅仅一个字，就把我们<span lang="EN-US">/</span>和这座城市割开<span lang="EN-US">/</span>故乡在遥远的身后叹息……梦里同亲手搭起的高楼对话<span lang="EN-US">/</span>乡音总是泄露我们的秘密<span lang="EN-US">/</span>只好乘着思念的翅膀<span lang="EN-US">/</span>去看看地里<span lang="EN-US">/</span>正在拔节的庄稼”；如《站在脚手架上望乡》：“大风起兮<span lang="EN-US"><span style="mso-spacerun: yes;">&nbsp; </span></span>大风吹起我们单薄的衣衫<span lang="EN-US">/</span>多像鸟儿的翅膀<span lang="EN-US"><span style="mso-spacerun: yes;">&nbsp; </span></span>片片羽毛<span lang="EN-US">/</span>都执拗地朝着家的方向”；如《乡情》：“我们流浪在外<span lang="EN-US">/</span>每一次迈步都会有<span lang="EN-US">/</span>一阵揪心的疼痛<span lang="EN-US">/</span>一阵灼热的浪潮<span lang="EN-US">/</span>起自故乡”……<span lang="EN-US"><p></p></span></span></p><p class="MsoBodyText" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 21pt; LINE-HEIGHT: 12pt; mso-char-indent-count: 2.0;"><span style="FONT-SIZE: 10.5pt; COLOR: navy; FONT-FAMILY: 宋体;">诗是最接近人心灵本质的文学样式，来不得半点虚假，什么样的人就一定写出什么样的诗，靠编造而成的诗是没有生命力的，因为诗人的品性直接影响到诗的品格。蒋明兄的诗歌不是一般意义上的乡土诗，而是与诗人的生命紧密相连的血浓于水的真情描述。这种朴素的写作风格，把对故土深深的眷恋、对乡亲命运的牵挂等等情感，用一种简洁干净的方式加以阐述，让我们的心紧跟着诗人的笔触回到生养我们的故土。<span lang="EN-US"><p></p></span></span></p><p class="MsoBodyText" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 21pt; LINE-HEIGHT: 12pt; mso-char-indent-count: 2.0;"><span style="FONT-SIZE: 10.5pt; COLOR: navy; FONT-FAMILY: 宋体;">作为“两栖人”，蒋明兄站在乡村与城市的关节处，笔触自然地深入到打工生存困境这一命题。作者化笔为刃，把批判的锋芒伸进斑斓现实，不平则鸣，敢于直面现实，让我们感受到作者对于打工阶层命运的深切关注，触摸到作者剧烈跳动的忧心和疼痛。如《开冲压机的小妹》：“身份证是别人的<span lang="EN-US">/</span>名字也是别人的<span lang="EN-US">/</span>豌豆花一样嫩嫩的年龄<span lang="EN-US">/</span>是流水线的…楼房是城市的<span lang="EN-US">/</span>车子是老板的<span lang="EN-US">/</span>大滴汗水是浇铸产品的<span lang="EN-US">/</span>每月几张薄薄的辛酸<span lang="EN-US">/</span>是给思念的山村的…昨夜与梦想的一次短暂接触<span lang="EN-US">/</span>半截手指就成了破碎的梦魇<span lang="EN-US">/</span>满地殷红多像盛开的花朵<span lang="EN-US">/</span>心中永远无法消除的痛<span lang="EN-US">/</span>终于是你的”；如《加班》：“墙上的通知<span lang="EN-US">/</span>把我们的爱情再度延期”；如《站在脚手架上望乡》：“我们这群来自乡下的丑陋的<span lang="EN-US">/</span>壁虎<span lang="EN-US"><span style="mso-spacerun: yes;">&nbsp; </span></span>总是不停地在城市高高的墙壁<span lang="EN-US">/</span>艰难攀爬”……<span lang="EN-US"><p></p></span></span></p><p class="MsoBodyText" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 21pt; LINE-HEIGHT: 12pt; mso-char-indent-count: 2.0;"><span style="FONT-SIZE: 10.5pt; COLOR: navy; FONT-FAMILY: 宋体;">蒋明兄热爱故乡关注故乡，有一种与生俱来的故乡情结。他的诗描绘出故乡的风土人情，歌其所歌，悲其所悲。语言是乡土的，题材是乡土的，感情是乡土的，此三者是构成他诗歌的基本特色。他的诗歌好比种庄稼一样，虽然并不完美，但却有较强劲的生命力和独特性。<span lang="EN-US"><p></p></span></span></p><p class="MsoBodyText" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 21pt; LINE-HEIGHT: 12pt; mso-char-indent-count: 2.0;"><span style="FONT-SIZE: 10.5pt; COLOR: navy; FONT-FAMILY: 宋体;">诗路漫长！人生多长，诗路多长，情谊多长！<span lang="EN-US"><p></p></span></span></p><p class="MsoBodyText" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 21pt; LINE-HEIGHT: 12pt; mso-char-indent-count: 2.0;"><span style="FONT-SIZE: 10.5pt; COLOR: navy; FONT-FAMILY: 宋体;">祝愿蒋明兄在诗的道路上取得更多丰硕的成果！<span lang="EN-US"><p></p></span></span></p><p class="MsoBodyText" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 21pt; LINE-HEIGHT: 12pt; mso-char-indent-count: 2.0;"><span lang="EN-US" style="FONT-SIZE: 10.5pt; COLOR: navy; FONT-FAMILY: 宋体;"><p>&nbsp;</p></span></p><p class="MsoBodyText" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 21pt; LINE-HEIGHT: 12pt; mso-char-indent-count: 2.0;"><span lang="EN-US" style="FONT-SIZE: 10.5pt; COLOR: navy; FONT-FAMILY: 宋体;"><p>&nbsp;</p></span></p><p class="MsoBodyText" align="right" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 21pt; LINE-HEIGHT: 12pt; TEXT-ALIGN: right; mso-char-indent-count: 2.0;"><span style="FONT-SIZE: 10.5pt; COLOR: navy; FONT-FAMILY: 宋体;">——<span lang="EN-US">2007</span>年<span lang="EN-US">3</span>月<span lang="EN-US">19</span>日凌晨于广州寓所<span lang="EN-US"><p></p></span></span></p>

晓曲

不错.欣赏!

弦意

这些诗歌的土味浓郁，感染力很强，问好！

李长空

谢楼上二兄支持.匆忙中弄的,见笑了.握~

张玉书

读了2遍,欣赏!很不错!

李长空

<div class="quote"><b>以下是引用<i>张玉书</i>在2007-3-19 20:09:00的发言：</b><br/>读了2遍,欣赏!很不错!</div><p>感谢兄支持,握~</p>

张玉书

写得真有水平!欣赏![em17]

李长空

<div class="quote"><b>以下是引用<i>张玉书</i>在2007-3-22 21:20:00的发言：</b><br/>写得真有水平!欣赏![em17]</div><p>收到诗稿已经很久了,老乡的集子就快印刷了,不得已匆忙中弄的,让兄见笑了.再次感谢支持.握~</p>